Slide 1 Slide 2 Slide 3 Slide 4

DEAN/Mongerio

Click the RED

Inter/change

The highly-anticipated debut album.

AN ALBUM
THAT
TELLS A NEW STORY

Inter/change

The idea behind this record is to incorporate the musical styles that have influenced me — Jazz, R&B, Hip Hop, Funk, Gospel, Pop, Latin — but to do so in a unique way. These styles come together and are expressed in different combinations, in a way that I hope will blur the lines separating them.

 

The debut recording by saxophonist, composer, and producer Dean Mongerio is a culmination of a career thus far, showcasing his skills in all three roles together for the first time. Spanning several musical genres, it is the result of his dedication not only to establishing an original identity, but also to being true to the elements that are unique to each style. To add to that, Dean has been experimenting with incorporating effects pedals into his music for some time now, and in the process has managed to bring them out of the realm of novelty and into something that can be used as a real musical and compositional device. These concepts combine to create an album that is funky, soulful, contemplative, fun, brooding, and deep. The listener is taken on a musical journey through Dean’s many musical personalities; from funky grooves to time-shifting Latin, to darker, movie soundtrack-esque epics.

The album also features the talents of some of the best musicians from both the US and Europe, including tracks co-written by Khristian Dentley of the vocal super-group Take 6, and a special collaboration with percussive guitar innovator Preston Reed.

Project Sponsors

To show my appreciation and to give them much deserved credit, the project sponsors are listed in this area. Unlike in a movie, it’s usually impossible to list everyone who has been a part of an album project in the credits. And even in a movie, the credits usually just roll by in front of an emptying theater. This area is my way of giving credit where credit is due, and to show my sincere appreciation for all those who have made this project possible.

  • Samer Sharawi
  • Brandy Eckman
  • Emese Magyar
  • Kathy King
  • Anders Wass
  • Meredith Walker
  • Maggie Conto
  • Brian Etchart
  • Brad Phillips
  • Alex Bohla
  • Geoffrey Pullen
  • Frank Marchant
  • Jaqueline Smith
  • DeAngelo Nieves
  • Glenn Maerkl
  • Helena Ekerot
  • Albert Garza
  • Alexander Mathias
  • Sandra Igel
  • Anonymous contributor
  • David Maki
  • Steven Bell
  • Leo Cay
  • Donna Carrier
  • Anonymous contributor
  • Tom Lanze
  • Paul Burne
  • Anonymous contributor

 

About

[Dean] walks the line between contemporary and traditional like nobody I know!

–Will Donato

Dean Mongerio’s remarkably soulful saxophone playing is complemented by a striking versatility as a musician, composer, arranger, and producer, with a unique ability to adapt to nearly any musical setting. Born in New York, Dean grew up in Florida, where he picked up playing the alto saxophone at age 12. His talent immediately stood out. “I remember my mother came home one day with a compilation tape of jazz saxophonists,” he recalls. “The luck of it was that it had Charlie Parker, Cannonball Adderley, Phil Woods, Eric Dolphy, Johnny Hodges, and several more; basically the ‘who’s who’ list of alto players.” It was then that the love for jazz set in. “It was the sound of Charlie Parker’s music that got me, and the feel and unbridled soul of Cannonball’s playing,” Dean says. “I was hooked.”

Dean went on to the University of North Florida where he studied with jazz legend Bunky Green, one of the innovators of modern jazz performance. After three years of study, just shy of turning 21, he left school and began performing nearly 200 dates a year all over the US at venues including Summerfest, Caesar’s Palace and The Bilagio in Las Vegas, The Supper Club and The Greatest Bar On Earth in New York City, and Merv Griffin’s Coconut Club in The Beverly Hilton in Beverley Hills, California.

Dean has cultivated his passionate and commanding playing style through a vast range of experience in Jazz, R&B, Rock, Pop, Funk, and Gospel, as well as producing and arranging numerous projects and leading several of his own groups in various musical genres.

On the more traditional side, Dean has performed with jazz artists Rufus Reid, Marcus Printup, Sam Rivers and Danny Gottlieb, as well as contemporary artists such as Chieli Minucci, Marc Antoine, Ed Calle, Chris Standring, Mike Phillips, Craig Chaquico, Will Donato and Blake Aaron. He’s also performed and/or recorded with a diverse array of mainstream artists including The Temptations, The O’Jays, Steve Cropper, The Drifters, Ryan Shaw, Khristian Dentley (Take 6) and Tony Battaglia (Backstreet Boys, *NSYNC, Mandy Moore, Shinedown). Dean has also been featured on recordings alongside Brandon Fields, Mike Miller, and David Sanborn.

 

In 2008, Dean produced, arranged, and performed on the debut album for Gospel Artist Manny Luster, which was nominated for the 2009 NIGMA Rhythm of Gospel award for Traditional Gospel Album of the Year, and went on to win Traditional Gospel Male Vocalist of the Year. Also in 2008, Dean co-founded The Groovemasters, a contemporary jazz group that quickly earned a place on the national stage as a powerhouse quartet built on a foundation of original music which captured mainstream and jazz audiences alike. In 2009, after several seasons of opening for notable artists as well as being featured headliners themselves, The Groovemasters released their eponymous EP, featuring the original Brown Rice, which earned the top Jazz song of 2010 chosen by Indie-Music.com (featuring Dean’s “fiercely funky saxophone playing”, as stated by one reviewer).

Dean moved to London in 2011 and immediately got to work with his own groups, performing at several famous venues including Charlie Wright’s, Ronnie Scott’s, and Pizza Express Jazz Club Soho. In January of 2013, Dean joined the European tour of the production New Jersey Nights, where he is currently featured on the tenor saxophone. The show has been performing at A-list venues all over the UK and Europe, including the UK’s largest theatre, the Edinburgh Playhouse, where–as stated by one critic–Dean “is given license to display his huge talent”. Another critic identifies the “incredible tenor sax solo from instrumentalist Dean Mongerio” as a highlight of the show.

Even while on tour, Dean has been working hard to write, produce, and promote his upcoming solo debut album. Scheduled for radio release in spring 2014, it will feature all original compositions while highlighting Dean’s unique, inventive approach to using effects pedals with the saxophone.

Dean is a proud endorser of Theo Wanne Mouthpieces.

 

Horn Setup

• Theo Wanne BRAHMA 7*
• Vandoren JAVA Red Box #3
• Selmer Mark VI #85XXX

Pedal Setup

• AMT wi-5 Wireless mic
• Peptone True Bypass Looper
• EHX Q-Tron Envelope Filter (old model)
• Keeley 4-Knob Compressor
• Eventide Pitchfactor
• MXR 10-band EQ
• MXR Carbon Copy Analog Delay
• Hardwire RV-7 Stereo Reverb
• BBE Supa-Charger power supply

Over all, I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things that he knows of and senses in the universe.

–John Coltrane

Multimedia

Photo Gallery
Videos
Press
EPK
Merchandise
Effects Pedals Part I: The Gear
Effects Pedals Part II: The Sounds
Effects Pedals Part III: The Album

They teach you there’s a boundary line to music. But…, there’s no boundary line to art.

–Charlie Parker

Contact

Send a message

* = required field